April Bey
Act Like You're Not Looking, 2025
I'll Be Damned if Your Setback will Help You get Back on Your Feet (II), 2024
Pineapple Portal Grower, 2025
Eleutheran AfroVenus, 2023
Calathea Fuchsia, 2023
ATLANTICA MAGAZINE: Everything You Need to Know About Earth Male Humanoids with Unwashed Asses Who Have Opinions, 2024
The Growers, 1989, Indirect or Filtered Light IIII, 2023
As a Matter of Fact, I'm Glad You Said Something, 2023
Colonial Swag: Badassery and Broughtupsy, 2022
Gilda Trinity, 2021
Colonial Swag: Na Enjoyment, 2022
Colonial Swag in Space (Ferengi Feminism), 1 of 20, 2020
Mighty Real (But I'm Not a Drag Queen, I'm Sylvester), 2020
Earth History (Weave Gradient), 2019
April Bey is a Bahamian interdisciplinary artist who makes work that is both an introspective and social critique of American and Bahamian culture, contemporary pop culture, feminism, generational theory, social media, AfroFuturism, AfroSurrealism, post-colonialism and constructs of race within supremacist systems. Bey is both a practicing contemporary artist and art educator, having taught a controversial course at Art Center College of Design called "Pretty Hurts" analyzing process-based art and Beyoncé hashtag faux feminism.
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Exhibitions
2024
I See All The Way Back To Where I’m Supposed To See | November 21, 2024 - January 4, 2025
2022
Colonial Swag | April 21, 2022 - May 28, 2022
Fairs
2023
Untitled Art Miami Beach | Miami Beach, FL, USA (group presentation)
The Armory Show | New York, NY, USA (solo presentation)
2022
Untitled Art Miami Beach | Miami Beach, FL, USA (group presentation)
Future Fairs NY | New York, NY, USA (group presentation)